How to get white color from paints mixing: instructions and recommendations

Even children know that many colors can be done by mixing other shades. But there are tones that do not get when paint mixing, whatever experiments are conducted. For example, among artists there are no ways how to get a white color - it will not be possible to create it from the paints.

First, a red pigment, which also reflects in a slightly lesser extent orange. Secondly, the red, whose particles very significantly reflect the light wave corresponding to purple color. Next should be denoted by a yellow kel, which in addition to its main part of the spectrum reflects also green waves, but somewhat worse. Then a different version of a yellow pigment can additionally reflect orange waves as a secondary range. And finally, paints, which reflect the waves of the blue spectrum, but additionally - green or purple, which gives you another version of the material.

The colors of the visible spectrum

There are three main colors whose combination will result in all other shades of the palette. They are called basic, turn on red, blue, yellow. A black mansion is black, white - these colors are not amenable to creating gouache, watercolor, plasticine, but they are actively diluted, darken different colors.

If you take the first type and mix it with the penultimate, that is, with a kel, which in addition to blue reflects also the green range of light waves, you will get a pretty dirty purple color. The second and fifth type will allow you to get a cleaner color, and the second and last, mixed, will qualitatively reflect purple waves and give a saturated and bright color. Thus, it is obvious that connecting 2 kolas whose pigments do not reflect the spectra of light waves you need, we get dull or even dirty tones. Mixing 1 correct and 1 incorrect paint, we will see a more beautiful coating as a result. And finally, by combining 2 colors, reflecting the right secondary light range, you can get a bright and rich color.

All basic tones are considered the basis of the color circle and the optical spectrum, included in the range of visible light radiation. If we consider the spectrum under magnification, the white pixel will decompose on several shades. But the mistake will think that it is possible to make a white color by connecting such tones on the palette - this effect is available only to computer graphics.

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Combining the colors of the visible spectrum

If you take a color circle, divided into 7 colors (red, orange, yellow, green, blue, blue, purple), and unwind it, you can see the white color with your own eyes. Why does human eye perceive the main shades of the rainbow? This happens due to additive mixing (addition) of the tones, which are re-combined into the light beam (it has a whitish color). But when stirring the paints of such an effect does not achieve, because some colors will suppress others.

At the very beginning, we found out that it is impossible to make white color by mixing - after all, no pigment has the ability to reflect a white spectrum of light waves. However, this main roller participates in obtaining many other colors, as well as their shades and tones. For example, to make yourself paint gray, it is enough to add a little black in Belil. But before mixing from different materials is gray, make sure that they are compatible, otherwise it may turn out just dirt. You can also make a cold gray, inherent in the wet shale (rock formation), if mixed white, black and blue colors. Conversely, warm gray is yellow, brown and all the same bleached with a mobile.

Belil cannot be obtained even with the help of a printer - the cartridge will have to pour ready-made paint. Attempts to combine killers always lead to the formation of intermediate tones, and sometimes at all achromatic - dirty, gray. This applies to any paints - acrylic, guashi and others.

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What is white color - definition

White is a color having such a spectrum of electromagnetic radiation, in which the power of all waves in the visible zone is uniform. From a physical point of view, this color is a complete reflection of light rays, which fall on the surface of the subject. But there is a condition: the surface should not be perfectly smooth, otherwise the rays will begin to be reflected in parallel, they will bear the reflected image.

Along with black, gray, Belil belongs to the achromatic colors. This tone occupies a special place in the palette of dyes - does not apply to warm, cold, the only one has a complete antipode - black. It is good to consider white by connecting all the colors of the rainbow through the prism.

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Getting color when mixing paints

What needs to mix tones to do it? Do not even try - at the exit, the bright paint will turn out, which is not useful in the work. Mix the rays of light, only then you can see white, but it will not bring practical value in painting. But Belil has his shades that artists use. All of them are mixed with other collections - gray, beige, many others. Here are the most popular shades:

  • Alebaster - white-yellowish, matte;
  • Amitte - Dirty Belil;
  • Snow white - bright, special kind of classic bleached;
  • Pearl - the color of pearls, a little pearl;
  • Marrengo - Belil with blackclosures;
  • Milk - bleel with beige-yellowish notes;
  • Platinum - white-smoky.

We turn to the widespread colors and their shades. Brown is the main red roller with the secondary green, which is obtained by joining the yellow and blue paint. To lighten - mix white to make darker - add black. Such an interesting color, like terracotta, is done using the compound of orange and brown, but without mixing red, yellow and green colors, first need to get intermediate. Tobacco Cover is the result of combining yellow, green, white and red.

When mixing watercolor, gouache paints with white, you can get bright tones - pink, salad, blue. Without white, it does not cost drawing paintings, repair of ceilings, walls, they are excellent, give a huge scope of fantasy!

Since childhood, everyone knows how to get some kind of shades by mixing multi-colored paints. But few people know how to get white color and is it possible in principle. This question may arise from novice artists and designers who are interested in the possibility of obtaining the right colors.

In the market of paints and varnishes, the widest range of a variety of colors and shades is represented. It is not always possible to choose a painting that is as appropriate for a specific task. The help comes to combine different colors to obtain the desired tone or shade.

The colors of the visible spectrum

4 main colors are distinguished, the combination of which can lead to the creation of almost the entire palette:

  • red;
  • green;
  • blue;
  • white.

Let's go to colder paints. Beautiful turquoise can be made by adding into a blue small amount of green. Depending on the amount of the mixed component, it will be more saturated and bright or, on the contrary, a deep shade. To get the Royal Blue (very dark), it is enough to introduce a little black in the same mixture. To obtain the color of the sea wave, we take the white and connect green and black pigments with it. Conifer paint - a mixture of green, yellow and black, and if the last to exclude, then it turns out olive.

These are the main colors of the optical spectrum included in the range of visible light radiation. Separately, it is worth noting the yellow color, which is also basic when receiving most shades of color.

On video: How to mix color.

When studying the light spectrum using a magnifying glass, on the computer screen or TV can be seen that the white pixel consists of different shades. Thanks to this effect, many began to think that when mixing basic colors, in any case, it turns out a white color. It does not matter what dye is used for such a mixing.

Combination and mixing of visible spectrum colors

A rather well-known optical experiment consists in a rapid spinning of a circle, sectorally divided into 7 colors in the arrangement in the rainbow. The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. This effect is applied when the main components of the spectrum are applied on the television screen or monitor: red, blue and green.

To obtain a white tone, a combination of multi-colored light is used. The result in the form of white color is obtained due to additive mixing, that is, due to the "addition" of the shades used. Receiving new colors when mixing paints is carried out under the influence of the opposite principle, the subtractive mixing, when the colors suppress each other.

Therefore, when printing on a digital or inkjet printer, it is impossible to obtain a truly white background. By default, it is believed that the carrier, for example, paper or cardboard, has the desired tone and on the appropriate section of the paper sheet, the dye is simply not applied. For printing directly white, special toners are used with the appropriate dye.

Clean white color can not get paint mixingMixing painting compositions

The combination of red, blue and green paints will be given the shade, closer to contrasting black or dirty brown. The main colors will simply light each other. Even the preparation of beige tones, as close as possible to the desired, is possible only on the basis of kneading white paint with other shades.

Palette of the artistThis applies to any compounds, whether it is oil paint, watercolor or acrylic. Mixing different shades, it is impossible to get white paint, and existing feedback on the combination of basic colors is repelled precisely from the imposition of light radiation, and not painting compositions. To understand how to make the desired kel, which colors mix to get one or another shade, you should carefully examine the corresponding table of paint manufacturer. From the specific composition of a separate manufacturer depends on what paints need to be mixed to get the desired tone.

Mixing the colors of the visible spectrum

It is not necessary to guess which colors need to be mixed, in order to get white as a result from the paints. If you take and mix the main tones, the output will be the brown paint, incomprehensible shade, which is most likely not needed in the work.

Basic colors for coloring compositions mean that the remaining shades are obtained based on them. It is almost impossible to get the basic color itself, so white, red, blue, green and yellow paints should be kept in any working palette. Get almost any shade by mixing only these paints, more than real.

Color Mixing Rules (1 video)

Rooms in light colors (30 photos)

What colors need to mix to get white?

What colors need to mix to get white?

What paints mix to get white color?

Moreljuba.

[61.6K]

4 years ago

We all know that white color is the main color, in connection with this, its receipt by mixing is very problematic. But in order to get a white color, I can advise you to connect three colors:

1) Green color;

2) blue tone;

3) Green color.

This may result in a white-like shade.

The author of the question chose this answer as the best. Adventure Finder

[99.9K]

5 years ago

Get white color using various paints is not possible, since the color itself is the main one. If you drop into physics lessons, you can understand that we can see such a surface that completely reflects the light.

If you take and mix the spectra of colors, then there is an opportunity to get white color. To do this, you need to take such colors:

1) red;

2) blue;

3) green.

The result will give exactly white color. At the same time, it's funny that if you decide all the same to pick up the colors and move, then get a completely contrasting color to white, namely black. Here is such a white color. Custody

[189K]

2 years ago

The answer depends on which side to approach it.

If we are talking about white color, then this is the color that reflects all the rays falling on it. Therefore, we think that the color is white. While the objects are yellow, for example, color, absorb all light rays falling on it, and only yellow rays - reflect. So with other colors.

Therefore, regardless of what colors we will use, we will not be able to reflect all the light rays. Therefore, in any case, we will get some kind of vague meal.

As for white on the computer, we will need to mix three colors that are the main. It is green, red and blue. Only mixing them can be obtained different colors and shades. If you open the rgb type colors encoding, where each letter means color, then the white color will be R = 255, B = 255, G = 255. That is, it's all the colors in the same proportion.

Year.

[95.5K]

3 years ago

In nature, white color is obtained when all the colors of the rainbow are mixed. There is such a circle on it, seven colors are drawn when it rotates white.

But in the artist's palette there is always ready white paint, so mix any shades and tones to get white will not work.

And I can create a bunch of colors using white. White dilutes paints, makes halftones and semi-pens.

For example, pink is white with red, and gray - black with white.

But if you mix yellow, red and white in certain proportions, you can get a bodily color that artists use for image people.

Alex2837.

[87.2k]

More than a year ago

Remembering the kindergarten and school bench, when we were painted with paints or gouache, it was always interesting to mix paint different colors with each other and get a paint of a completely different color.

Flowers and their shades are quite a lot, just enough to watch around themselves and you will not be able to calculate the exact number of colors around you.

[61.6K]

If we say specifically about white color, and not about any of its shades, then it is impossible to get it by mixing other colors.

So the nature is arranged that the white color in the spectrum is broken by several other colors. We often watch it when we look at the sky after the rain and see the rainbow. But in the opposite direction, if you mix all the colors of the rainbow, it does not work.

[99.9K]

Mihailpodosinnikov. [5.9K] Mixing paint palettes to get pure white color fail. White is initial. There are many philosophical reasoning on this that there is also gradation of flowers in clothes, various corporate styles. White color is neutral, clean, cause aggression with white color is not possible - it will be dissolved. If the white color is mixed with any other color, he will also remain just a little paler.

Azamatik.

[54.4K]

Yet again,

[99.9K]

Get white color

By mixing other colors will not work.

[189K]

And all because the white color is the main / primary (red, blue).

When working with paints, something similar, namely, getting white, you can try to make from three other colors:

Vicktori.

Since childhood, everyone knows how to get some kind of shades by mixing multi-colored paints. But few people know how to get white color and is it possible in principle. This question may arise from novice artists and designers who are interested in the possibility of obtaining the right colors.

In the market of paints and varnishes, the widest range of a variety of colors and shades is represented. It is not always possible to choose a painting that is as appropriate for a specific task. The help comes to combine different colors to obtain the desired tone or shade.

The colors of the visible spectrum

4 main colors are distinguished, the combination of which can lead to the creation of almost the entire palette:

  • red;
  • green;
  • blue;
  • white.

[5.9K]

There are no such colors for paper. In computers, with the radiated light, all three colors of encoding (red, green, blue) are used in maximum saturation.

When studying the light spectrum using a magnifying glass, on the computer screen or TV can be seen that the white pixel consists of different shades. Thanks to this effect, many began to think that when mixing basic colors, in any case, it turns out a white color. It does not matter what dye is used for such a mixing.

abjorik

[126K]

If we talk about paints, it is not possible to get purely white. If about the light beam, then when mixing the three rays of the light of green, blue, red (basic colors) we will get white light. In the absence of rays, it turns out black.

Do you know the answer?

Is it possible to get white color when mixing paints?

To obtain a white tone, a combination of multi-colored light is used. The result in the form of white color is obtained due to additive mixing, that is, due to the "addition" of the shades used. Receiving new colors when mixing paints is carried out under the influence of the opposite principle, the subtractive mixing, when the colors suppress each other.

These are the main colors of the optical spectrum included in the range of visible light radiation. Separately, it is worth noting the yellow color, which is also basic when receiving most shades of color.

Mixing painting compositions

The combination of red, blue and green paints will be given the shade, closer to contrasting black or dirty brown. The main colors will simply light each other. Even the preparation of beige tones, as close as possible to the desired, is possible only on the basis of kneading white paint with other shades.

On video: how to mix color correctly.

Combination and mixing of visible spectrum colors

A rather well-known optical experiment consists in a rapid spinning of a circle, sectorally divided into 7 colors in the arrangement in the rainbow.

It is not necessary to guess which colors need to be mixed, in order to get white as a result from the paints. If you take and mix the main tones, the output will be the brown paint, incomprehensible shade, which is most likely not needed in the work.

Basic colors for coloring compositions mean that the remaining shades are obtained based on them. It is almost impossible to get the basic color itself, so white, red, blue, green and yellow paints should be kept in any working palette. Get almost any shade by mixing only these paints, more than real.

The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. This effect is applied when the main components of the spectrum are applied on the television screen or monitor: red, blue and green.

note

Therefore, when printing on a digital or inkjet printer, it is impossible to obtain a truly white background. By default, it is believed that the carrier, for example, paper or cardboard, has the desired tone and on the appropriate section of the paper sheet, the dye is simply not applied. For printing directly white, special toners are used with the appropriate dye.

This applies to any compounds, whether it is oil paint, watercolor or acrylic. Mixing different shades, it is impossible to get white paint, and existing feedback on the combination of basic colors is repelled precisely from the imposition of light radiation, and not painting compositions.

To understand how to make the desired kel, which colors mix to get one or another shade, you should carefully examine the corresponding table of paint manufacturer.

From the specific composition of a separate manufacturer depends on what paints need to be mixed to get the desired tone.

A source:

https://gidpokraske.ru/okrashivanie/ottenki/kak-poluchit-beak-poluchit.html.

How to get white color: tips and recommendations for mixing colors

At the very beginning, we found out that it is impossible to make white color by mixing - after all, no pigment has the ability to reflect a white spectrum of light waves. However, this main roller participates in obtaining many other colors, as well as their shades and tones.

For example, to make yourself paint gray, it is enough to add a little black in Belil. But before mixing from different materials is gray, make sure that they are compatible, otherwise it may turn out just dirt.

You can also make a cold gray, inherent in the wet shale (rock formation), if mixed white, black and blue colors. Conversely, warm gray is yellow, brown and all the same bleached with a mobile.

We now turn to more interesting experiments. Pink itself in nature does not exist, but it can be obtained if you add a little white to the red color. The more mix, the lighter will be the result, so you get the desired shade.

Make a peach color either will not be difficult - it is enough to mix dark brown (chocolate) and orange kokes, and then add a little green in them. But the apricot is made in a completely different way.

Different shades can be made, mixing red and white colors to the ocher, which is obtained by juggling yellow with brown.

Important

  1. We turn to the widespread colors and their shades. Brown is the main red roller with the secondary green, which is obtained by joining the yellow and blue paint. To lighten - mix white to make darker - add black.
  2. Such an interesting color, like terracotta, is done using the compound of orange and brown, but without mixing red, yellow and green colors, first need to get intermediate.
  3. Tobacco Cover is the result of combining yellow, green, white and red.
  4. Let's go to colder paints. Beautiful turquoise can be made by adding into a blue small amount of green. Depending on the amount of the mixed component, it will be more saturated and bright or, on the contrary, a deep shade.
  5. To get the Royal Blue (very dark), it is enough to introduce a little black in the same mixture. To obtain the color of the sea wave, we take the white and connect green and black pigments with it.
  6. Conifer paint - a mixture of green, yellow and black, and if the last to exclude, then it turns out olive.
  7. what colors need to mix to get white
  8. You will never get white color from mixing different colors! This is the unshakable law of physics. But when mixing red, blue and green light, we will get white (our color monitors work on this principle). Mixing the main colors of paints and basic light colors are different concepts, try not to be confused.
  9. Yes, this is a deception
  10. Krasny Blue and Green

    It turned out brown

  11. Why ask stupid questions try to play the best games for example minecraft
  12. Well, someone says a chrk or brown and I got a diamond
  13. Yes you are right
  14. in paints in no way
  15. No, use Belil, in watercolor - an impaired paper section
  16. Red, blue and green colors are called basic. The colors formed by the mixture of two of the three main colors of red, green and blue are called optional and include purple, blue and yellow, which can be seen in the picture.
  17. When mixing all three main rays in the same proportion, white appears
  18. This horror turned out brown
  19. Then it turns out brown
  20. Everything

If you mix green, red and blue, it will turn out the marsh or just very TMNO zelnyak so that I do not advise you to mix green, red and blue

From the paints it will not work white if you mix !!!

If you mix the light that yellow azure and purple. And if you mix the paints, it will turn out dark gray or black, so it's better to use clean Belil (titanium or oxygen)

And if a kind yellow and blue

No white color not to wash! This main color can only be made of white paint. And about the answer 3, the light is shown here, not the color. If simultaneously, it is similar to three bright lamps to one place in one place, it turns out a white light (due to brightness). And if you mix all the colors, on the theory, it turns out black, although most often happens brown.

If all the colors mix get a chrust

If on the monitor, then all, if in the print (in the life of the paints), then not one on the white canvas or purely beneficially!

  • Acrylic paints
  • These materials are universal, they are used for a variety of purposes: With their help, you can simply paint the walls, paint the stainedures on the glasses, apply a pattern on the wall and ceiling. In general, the scope of their use is limited to fantasy. The compositions are convenient in operation, well held on the surface.
  • red;
  • But if you decide to draw a multicomponent image on the wall, then the purchase of paint of all necessary colors will cost too expensive, and after the completion of the work there will remain a large amount of unnecessary material.
  • In this case, it is better to buy a basic row, and to create certain shades to mix acrylic paints.
  • Mixing the basic colors of paint makes it possible to get a lot of different shades, while you can save significantly on the purchase
  • Main color series

More from school bench to everyone knows: when connecting yellow and red it turns out orange, but if the same yellow add blue, green will come out. It is on this principle that the mixing table of acrylic paints was built. According to her, it is enough to purchase only the main colors:

white;

the black;

brown;

blue;

yellow;

pink.

You can simply mix acrylic paints of these tones to get most of the existing shades.

  1. Basics of mixing on the table
  2. In order to mix the materials correctly, you can not do without a table. At first glance, it is easy to work with it: to get the desired result, it is enough to find the color and see which components will be required.
  3. But in the color mixing table, the proportions are not specified, so it is necessary to gradually add the caloring material to the main paint and apply a mixture to some unnecessary product: a sheet of plywood, plasterboard and so on. Then you need to wait until the material is dry.
  4. If the color corresponds to the necessary, you can start work on the main surface.
  5. Color mix table:
  6. Technique COLOR

Now about how to get colors. By mixing acrylic materials, it is possible to achieve the formation of two main tones: light and dark. Basic tones: earthy, green, orange, purple. To create a color, it is recommended to adhere to certain rules:

Light. In this case, the main material is Titanium Belil, to which one or two color compositions add. The less additional LKM will be used, the brighter will come out. So you can make most shades of light palette.

Dark. For the formation of shades of this type, you should act on the contrary. Before mixing colors, it is necessary to prepare a base tone, the black dye is gradually introduced. Working with black paint, you need to be careful because it can make color not dark, but dirty.

Green. In the main palette of this shade there, so you will need to mix yellow and blue. Accurate ratio can be found only in an experienced way.

Purple. This is a cold color that is obtained as a result of mixing blue with pink or red. In some cases, it will also be necessary to add black to darken the material.

  • Orange. To create this color you need to mix red and yellow. For more saturated orange, it is recommended to add more red and vice versa. If you want to create a soft color, for example, coral, then you need to clarify the material by Bellyl. Is it possible to add dark dyes? Yes, it is possible, but as a result of mixing the paints, a dirty tone can get.
  • Earthy. Here is the main color is brown. By adding various shades to it, get a color from beige to dark wood.

Rules for working with palette

To begin with, a basic set of paints, brushes, water containers and a palette are required (you can take any surface, including school products for drawing).

In the center it is recommended to place Belil because they are used in creating most shades. In the deepening around (if there is) placed dyes of the main color row. Mix you need carefully, gradually adding the caloring material and constantly checking the result. After mixing the colors, the brush should be ringed in water tanks.

Oil paints

If you compare this material with watercolor or acrylic, then the oil is more fluid. Because of this, it is necessary to mix the compositions of different colors very carefully. On the one hand, this is a flaw, but on the other - this feature allows you to get the following effects:

Subject to thorough mixing, a uniform tone will be. Such material is perfect for both complete staining of surfaces and for partial decoration.

  1. If it is partially mixed, the coating will appear the differences.
  2. Thanks to partial mixing of oil paint, you can get a unique effect.
  3. Mixing

Now about how to mix oil paints. A table is also used to mix colors of paints on an oil base.

It indicates the colors obtained by connecting a variety of caloring components. In addition, here you can find such an indicator as a gloss combination.

If you add a little gloss in the matte foundation, then the result will not be almost not, and if you come around the contrary, then the shine will be slightly muffled. Mixing methods:

Mechanical. In this case, we are talking about mixing two or more varnotonic materials in one container. Color saturation is controlled by the number of bright shades. The desired color is created even before processing the wall or ceiling.

The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. Color overlay. Phased applying several smears over each other.

Optic. This is the most difficult method that is only available to those skilled in the art. It implies mixing glossy and matte bases while applying paint to the surface. You can mix colors of paints only on the surface being processed, otherwise it turns out a more even tone.

Features

The first method fully meets data in the table. If it comes to applying color, then the result is unpredictable. One of the most simple options for optical illusions is the lesing: a dark tone is applied to the surface, after drying it, the paint is a little lighter, and then completely light. As a result, each color will be viewed through the upper layers.

Thus, there is no some specific scheme. To find out which colors you need to mix, not only take and look at the table, it is important to practice constantly and not be afraid of experiments. So you can create a new effect that will make the interior unique.

It is also important to remember that the mixed shade is very difficult to repeat, so you should remember the proportions.

Now the question is how to make paint properly, does not seem so difficult.

The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. https://novoevmire.biz/obshhestvo/iskustvo/vozmozhno-li-poluchit-belyj-tsvet-pri-smeshivanii-krasok.html

Mix tips and clay tinting

Color selection (color mixing) is a creative process and give accurate and clear recommendations difficult. Everyone produces a convenient way to him, and all the materials are different. Therefore, I will write only some points. Any creativity should be pleasure. Not always exact instructions can give what you want ... Different clays require their color mixing techniques. It is advisable to have a primary - base white clay color, it goes when I amtering the most, and a set of primary colors: red, yellow, green, blue, brown, black. The remaining colors can be obtained by mixing.

There is a general color mixing scheme: • Red + yellow = yellow-orange, orange, brick • Red, + blue = raspberry, burgundy, purple • Red + blue = pink, scarlet, purple • Yellow + blue = dark green, emerald Green, yellow-green • Yellow + blue = light green, turquoise, lightweight • light green + red = light grassy, ​​marsh and green • dark green + red = dark grassy, ​​olive, brown • yellow-orange + Brown = Golden • Brown + red = reddish brown (terracotta) • Brown + yellow = chestnut • Purple + blue = blue-purple • Pink + orange = salmon • Pink + yellow = tea rose Here are some tips: • Mixing two - three Colors in different proportions you can get different colors and shades of clay, it all depends on the proportions of colors. • Clay - only white-produced - you can cut, intervening oil or acrylic paint in it. The principle of obtaining color as usual when mixing colors. • white clay, tinted with paints, after drying will be 1-2 tons of darker than when they knead. • interfering with paint in clay, enter the paint with small portions and smear well, gradually adding to the desired color. • To get a more complex and muted color, add a black paint droplet. • So that the greens look more natural, add a red dye to the green dye. It will muffle the brightness of the green, and the color will be more natural. Some leaves can be cut off with red paint along the contour (for example, rose leaves). And on some you can simply plant a red spot - it turns out more naturally. • If you want to repeat one or another color, remember, in what proportion you took color clay. You can use a stencil line with circles of different diameters, to remember what proportions mix the desired color. • The greater the basic white color, the brighter the tone will be at clay • if a piece of color clay is divided into half, and add to one half the same piece of white clay, then you can get a color to the tone lighter initial. Thus, you can get a few shades of one color by gradient. • Try flowers can be used after complete drying. • For different clays, different paints are used - oil, acrylic or pastel chalk. • It is not recommended to mix clays of different brands, it may worsen their properties, or they can not mix in a homogeneous mass at all. • Various brushes from different materials may be needed for tinting. After work with brushes, rinse well and dry up with a bristle. • After tinting, it is necessary to dry the petals and leaves well, only then collect the flower. • With different lighting, clay color is perceived differently.

• When tinting petals or leaves, we have a good paint from the darker to the lighter tone.

http://www.masterskaja.net/rabota/sovetyy-po-smeshivaniyu-i-podkrashivaniyu-gliny

2.7 Artistic mixing of paints. Obtaining unpetual colors by a subtractive way

natural_colours

Ljusdunkel

At the request of those interested in posting the material about the mixing of paints.

From a practical point of view in determining the color, and selection of wardrobe colors, this information may not be particularly applicable, but from the point of view of general development and understanding of non-laws - certainly necessary!

Read on the topic of mixing paints (there is in English, but many clear pictures).

To add special attention to the picture, where the basic brown is formed from yellow, red and blue, and from it, by adding other colors, many such different shades are formed!

But the translation of the book "Color Mixing" ("Mixing Flowers") by William F. Powell (William Powell). The text copied from one closed forum through a caress. Many letters!

General instructions.

Council

All color mixtures comes from three primary colors: yellow, red and blue. When we mix these three colors, we get neutral gray. However, mixing only two of the primary colors we get colors, known as secondary.

So, the primary yellow and primary red give secondary orange, red and blue create a secondary purple, and blue and yellow give a secondary green. Although the tube with leaks, like a tube of light ... not white paint. If so, then we will use it in the same way as the rays of light affect the colors that we see.

White can be considered a combination of all visible colors, as all colors come from white light. If white paint shows the light, then the black should display the darkness and lack of light and, of course, the colors. The tables located opposite each other in a color wheel are called direct complementarities. (Direct Complempents).

When these colors are mixed, they neutralize each other. Any straight-checking color neutralizes its complement better than all other colors. When these colors are mutually neutralized, it turns out gray. If it is mixed with a clean color, it neutralizes clean color and create a softer and less bright color option.

Experiment with color, mixing it with a commelender (color directly opposite on the color wheel) to dark gray, instead of using black. Adding black in color does not make it gray. Black only shades the color (takes the light from it) and in the end it is not so fresh, like after mixing with complementary color.

To obtain soft and more pastel mixtures, try adding white to two basic colors to brighten each of them, and then mix already lightened options.

Is it possible to get white color when mixing paints?

As a result, it turns out tender tones, which can be even more lightweight, made brighter when adding one or both basic colors and / or purchase a bronze tint by adding complementary colors.

Experiment with mixing colors and do not be afraid to try something new! Look out everything you do! If you take a job with such an approach, noting everything that you can, you can repeat all this with ease. Without records, mixes may be lost forever. In the abstract place an example of the color obtained next to the formula. If you do not do that, then the resulting shade will be hard to restore. In addition, do not mix the colors directly in the figure, since the binders and oils and oil are washed, and it leads to a weak and dim result. Do not be discouraged at first attempts to mix colors! Slowly, but true everything comes with practice!

Systematization of flower

Try to think about colors in related groups. We break into categories and systematize groups such as yellow, yellow-green, blue-green, blue, blue-purple, purple, red-purple, red, red-orange and orange. Having done this, you created several color families comparable to those in a color wheel.

Color / heat and cold strength

The strength of the color does not blame on its warmth or coldness. The force is related only to the ability of the color to overlap and neutralize another color. For example, Blue Prussian is extremely strong and quickly paint white and blocks most of the other colors.

On the other hand, Mangana Blue is very weak, and it will be necessary a lot to paint white and affect other colors. A little blue Prussian will noticeably paint white, and the mangana blue, mixed with white in equal proportions will be slightly noticeable.

Despite the fact that both of these colors are cold, their strength is significantly different.

Control the warmth and coldness of color blends

Remember, the more red it contains color, the warmer it will be, while more blue makes the color colder. Each color family has warm and cold colors.

How to get white color: tips and recommendations for mixing colors

For example, a yellow, in which an orange shade is blocked, contains more red and is more warm, rather than the yellow with the content of blue, which makes it greenish, and accordingly and colder.

Thus, there are warm yellow (containing red) and cold yellow (those that do not contain red, having a little blue). In the quality of the visual exercise, place the samples of yellow colors that you have, and look at how individuals are.

Some look orange (warm), and the rest will seem greenish (coolest). This is the tendency to apply to flowers from the blue family. The more violet it seems the color, the more in it is red, which makes it warmer. More yellow in blue gives green worm, respectively, it is colder.

Place your blue colors, as you did with yellow, and determine the difference between each color. Dark colors absorb light and seriously distinguishable. To clearly consider the dark blue colors, add quite a bit white to the most dark of them.

If you use a white palette, you can apply a little color on the palette, slipping it, thereby creating a thin transparent layer of pure color. This will allow you to see the white color of the palette through the dark mixtures, showing the true essence of clean color mixes. Using the exercise described above with all the colors that you have.

Color mix formulas and color families

The following observations and tips are designed to help you in the systematization of color mixes for families and the wrapper and cold and cold tones in each of them. There were always a problem for many students. Therefore, let's try to get a few green shades.

When mixing, outline, warm or cold, light or dark. It is known that when mixing yellow and blue, the color is known as green. The warmth of this green color depends on the heat of both ingredients, blue and yellow. Visually it seems that yellow is more controlling the warmth of the mixture, rather than blue.

Learning to make naturalistic green colors.

Examine the object and define the tonality of green on trees, shrubs and grass. In nature is pretty not found clean green color, like in a tube. If our green will be too bright, it can be changed, adding different colors: give a bronze shade by adding different colors, to fire with white, make a mixture weaker.

Green with a bronze tint - lightening and creating a sophisticated meal of creating a raw, bright green color with a bronze tint, which meets on the leaves in nature, add a very little red or orange.

To add a bronze tint, it's best to fit: Alizarine Red (cold red), light cadmium red (warm red), cadmium orange, burning Siena (rich red-orange), burning umbra (saturated yellow-orange). Ftalocyanine red also coped with this task.

Ljusdunkel

We get a light and lightweight green for more brighter and delicate green colors, study the object and highlight the "delicate" tones of the desired color. In search of a gentle color, you do not need to mix clean yellow and clean blue, and then lighten. Try first mix the basic yellow with white to get a brighter and gentle shade.

Do the same with chosen blue, and then mix the resulting colors. The end result can always be canceled and enhanced by adding a drop of one or both basic colors and / or quite a bit of complementary red for a bronze shade. For clarification of green can add more yellow with small impurities white.

You can also use any other brighter color, but do not use too much colors, otherwise it turns out the dirty green. Although, there is no bad colors! Sometimes we just do not know how to use them. If they seem dirty and unpleasant, we often use them in the wrong place and against other colors that knock them out of the overall picture.

I know a lot of beautiful "dirty" green shades on the mouths of rivers and shores in Western Virginia. We are meaningful to mixing the colors meaningfully. Test colors. Make the colors mix, not hope that they will do it themselves. Formulas for producing a dark green color for the inland areas of trees and foliage: 1. 2-hard umbra + 1-Prussian blue = almost black green.

Very dark green for a damping of dark inner parts of bushes and trees. 2-hard umbra + 1-phthalocyanine blue = blacknie green. Also for submarine.3. Zhyna Siena + Ftalocian Blue = saturated dark green4. Ultramarine blue + medium cadmium yellow = saturated dark green5.

Ftalocianin Blue Share + Saturated Cadmium Yellow = Saturated Dark Green6. Cobalt blue + saturated cadmium yellow = dark, warm green (more dull, compared to previous colors) But they are much more, much more ... Experiment! Several formulas for seats inside trees and foliage: 1.

The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. 2-yellow ocher + 1-ultramarine blue = warm medium-seated green2. 3-Neapolitan yellow + 1 azure blue = cold medium-seated green3. Crude Siena + Little Ftalocianin Blue = Saturated Mid-Widden Green4. Raw Siena + Ultramarine Blue = Warm Mid-Medium Seaned Green5.

Cobalt blue + a bit of orange cadmium = saturated medium-green. Azure blue + raw Siena = muted medium green. But they are much, much more ... Experiment! Formulas for several blonde flowers inside the trees: 1. Middle cadmium yellow + a bit of azure blue2. Light cadmium yellow + a bit of azure blue3.

Light cadmium yellow + a chute manguard blue4. Light cadmium yellow + very little phthalocyanine blue5. Neapolitan yellow + Any of the above-mentioned blue is much more, much more ...

Experiment! The brightest green colors (from yellow-green to yellow side): the following colors that can be used as the brightest tones of foliage and in the most illuminated places will be indicated. Let the color be light and closer to yellow. For the coldest tone, use cold yellow and cold blue.

For more warm, but still cold and bright color, mix the cold yellow and warm blue. Cold: zinc yellow + quite a bit of any cold blue, for example, mangana, phthalocyanine blue, Prussian blue, azure blue, etc.. Less cold: zinc yellow + very slightly any warm blue, for example, ultramarin, cobalt, etc. 3.

Warm or cold: Hansa yellow + a little warm / cold blue4. Warm or cold: Pale cadmium yellow + a little warm / cold blue5. Lemon yellow + a little warm / cold pool to make any of the above light yellow-green colors brighter and accentuated, add quite a bit white + zhil zinc, white + a bit of lemon yellow, white + hansa yellow. Drain these mixes in the brightest pieces of foliage. Thereby emphasizing the game of sunlight on the crown. For a lighter, bluish green, like on an olive tree or eucalyptus, add a little cold yellow (zhil's zil) and cold blue (cerebry blue); For a bronze shade - Zhigny Siena, and a little white to make a lighter on the tone.

Reflections on the topic of black and blue pigments.

https://natural-colours.livejournal.com/5162.html

How to get colors: green, pink, white | Magic color

The subtleties of mixing various colors and shades were explained in childhood, at school lists of drawing.

However, like any other knowledge, the nuances of mixing colors are often forgotten and when needed, for example, change the color of the walls in the house or get the desired shade from the available, many people just do not know what to do. In this article we will try to figure out how to get green, pink and white colors.

How to get green

How to get green? The answer to this question will be a lesson from the same school course of fine art. After all, green, as you know even kids, it turns out the mixing of yellow and blue. However, what to do if such mixing is not available because of the absence, for example, yellow pigment.

In such cases, when you need to get green for painting, for example, walls, you need to take a little ocher, add ordinary bleel and all the same blue pigment. This is how you can get a bright green shade.

Detailed color value (green, yellow, red, blue and others) you can learn on the pages of our site.

How to get pink color

Is it possible to get white color when mixing paints?

On how to get a pink color, the value of which can be found on our website, also hopefully, there should be no questions. Pink color is the nearest red relative. That is why it is necessary to mix red and white to obtain pink colors.

If you draw watercolor in which there is no white white, then you can simply dilute the red color with water. By adding a little blue in such a combination, you will get a brighter pink, very similar to purple color. Pink hair color is also not very difficult to get.

If you are a blonde, then the usual pink paint from extreme collections will sit on your hair as the albele. The owners of dark hair must first brighten them. In a certain way, this color and carbonous are perceived. Description of people with thy color you can find on our website.

The rotating disc, painted in this way, is visually perceived as white. There is a transformation of a multicolored circle into a monophonic white. Also, read the article on what "blue eyes" means.

How to get white

Additive synthesis of color

White color is the main color, so the answer to the question "How to get white?" It will be "in no way." Based on the basic course of physics, the surface is painted in white, which completely reflects the light falling on it.

That is why white color is perceived by a human eye as a background, color of intactness and purity.

As for white color, fully similar to sunlight, it is simply impossible to get this color by mixing other shades.

Mixing colors and getting completely new shades is a very interesting and cognitive occupation. Try mixing several colors of paint and paint the fence or walls in the house in a pleasant color. - Not only your home will be transformed, but also improved mood.

More articles on this topic:

http://magicofcolour.ru/kak-poluchit-cveta-zelenyj-rozovyj-belyj/

Varieties of white tones

It's not a secret to anyone that any shades can be obtained from the basic colors: yellow, blue and red. The bright tones of combinations of these pigments are achieved with white paint. How to get white color and is it possible in principle we will try to answer this article.

White feature

When learning a white color under a magnifying glass on the computer or TV screen, you can see that the white pixel is overflowed with multi-colored glare.

  • Another interesting experiment is to quickly spin the color circle consisting of 7 colors of the rainbow (red, orange, yellow, green, blue, blue, purple), located in the corresponding sequence. It is surprising that in the process of rotation, the color of the circle is perceived as white. These experiments created the soil for reflection, is it possible to get white by mixing other colors.
  • The unique feature of white color is the ability to completely reflect the rays of light from its surface. All other shades in one degree or another absorb light. That is why no mixing of other paints gives white. The effects arising in the above experiments are associated with the features of the screen color transmission in the first case and with a reflection of light due to the rapid rotation of certainly located colors - in the second.
  • White - one of the main colors in painting Types of white paint
Color circle

So, make white color from other paints is impossible. On the other hand, Belil is in any artistic and construction stores. What is the white color? In its composition, it contains a specific pigment defining its properties:

White lead

: Contain lead oxide. It is quite toxic for the body. In this regard, paints with this pigment are currently not used. Paints based on lead salts are white-colored dealers and enjoyed wide use until the nineteenth century

Zinc Belil

A: Contain zinc oxide as a pigment defining color. These paints in contrast to lead whiten protected for the body. They are perfectly mixed with other colors, forming gentle light and clean shades. It is for these purposes that artists and colorists use a zinc white kel.

Titanium Belila.

: contain titanium dioxide. Like zinc, they are safe for the body and are relevant to work. The main difference between Titan's salts is a high lifting capacity that has identified their application.

  • Zinc and titanium Belil in Gaische
  • Thus, zinc bleel - more transparent, but better mixed with other paints; Titanium - more dense, are used in pure form, but worse manifest themselves when connecting with other colors. Therefore, in the artist's arsenal there are both kinds of Belil, which allows you to find the best solution in working with white paint.
  • Video: Differences of zinc from Titanium Belil
  • Shades of white color
  • There is a huge amount of white shades that have become popular both in painting and in the interior design, textile industry. The main feature of all these shades is a very bright tone formed by a large amount of white paint and a low concentration of additional pigments.
  • How to mix colors to get shades of white paint? The main rule of receipt: interfere with the added paint in white drops or on the tip of the brush. The reverse sequence, as a rule, leads to a large overrun of Belil.

The most famous shades are:

Color palette from basic colors

Chalkom - has an easy barely distinguishable yellowish tint. When it is obtained, it is better to use bright shades of yellow, for example, lemon or yellow bright cadmium.

Ivory - a very light cream shade. Read more to get an ivory color.

Snow white - bright white with a light bluish tint.

Milk white - tight white color with a barely noticeable cream tint. It is still paler than ivory.

Ash White: It has a grayish tint. It is achieved by adding a small amount of gray to the base.

Unbleached color - natural white color, etc. You can clearly familiarize yourself with the main shades of white in the picture below.

Thus, the white color in its pure form is impossible by mixing the paints. Nevertheless, any manufacturer of paints will necessarily offer you a choice of zinc or titanium whites.

Video: White features in the interior

Most shades are obtained by mixing the base colors of the palette. Young professionals: artists, designers are interested in how to get white color. Chromatic tones The human eye is able to distinguish between 400 different variations. In dyes there are pigments that absorb light waves, allowing to see certain colors. The ability to use in painting components of light tone is an important aspect in creativity.

General information about white color

Refers to achromatic, that is, the opposite, like gray and black tone. It is impossible to mix the paints, since the material reflects the spectra waves. Due to the peculiarity of human visual bodies, it is possible to mix it with the mixture of the main spectral colors used in the film projectors, computer programs.

The kel is considered basic, has an electromagnet radiation spectrum, where the wavelength is evenly distributed in the visible zone. From physics, the reflection of light rays falling on the details and objects. Provided that the surface will not be perfect, otherwise the rays will be displayed and will give out a color picture.

This is the only color that does not apply to no warm or cold. It has a straight opposite - black tone.

How to get white color by mixing paints?

  1. A unique feature is a reflection of the beams of light. The remaining tonality completely absorb the light. Therefore, the mixture of paints will not give a positive result. Make Belil will not work, the result received will not be useful when working. In the market of paints and varnishes, art stores are presented with various options of paints, as well as Belil.
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  6. Their main feature is a very light tone, obtained by adding a large number of bleached and minor content of color pigments.
Printer paints

How to get a snow-white color to the mixing of paints? The main rule is to add a color koller drops or on the tip of the brush. If you act on the contrary: add to the color paint, you can get a lot of material overrun. Popular shades include:

Chalkoy - has a slight yellow tint. Get the addition of lemon, yellow paint.

Ivory - is a light cream shade. The basis performs Belil, to obtain it add red and yellow paint drops.

Snow white - pronounced with a bluish tone. Get used using a minor number of blue, added to the database.

Milk - get, like elephant bone, only the color becomes much paler.

Ash - characterized by a grayish tint. Get with the help of adding a minor amount of gray paint.

Unbleached color - has a yellowish tint. Get mixed bleached with yellow paint.

In watercolor painting it does not exist, replaces the color of the paper base. It turns out the necessary tone by controlling the thickness of the applied paint on the sheet. In fact, it is not clean white. Using watercolor, get a shade with warm or cold, the result depends on the light source.

Features of receiving shades of white

Getting beige color

In the artistic, designer sphere there are certain shades of Belil, obtained by adding other colors: beige, gray, yellow and others. Consider the most common of them.

Alebaster

It seems to resemble an alabaster with a matte surface and a yellowing flare. To get it you need to mix bleel with yellow or lemon paint.

Amitte

Reminds the color of the amiant (type asbestos). Different with whiffness, dirty tone.

Snow-white

It is a bright color, a special kind of standard Belil. Other names: immaculately or dazzling white.

Pearl

Tone with a mother of pearl, resembles a natural pearl.

Marrengo

Black tone with gray chip or bleached with black splashes. Lactic
It is a color of milk, with a bluish tint. Under the dairy tint also understand the tone beige or yellowish. Platinum
With a grayish tide, smoky tone. Table of receiving shades
You can create shades using the addition of different shades. Examples are shown in Table: Received tone
Used paints Beige

Color mixing table

Brown + Belila

Ivory

Brown + White + Yellow, White + Red

Team of eggshell

White + yellow + minor brown Not quite white

Belil + brown + black

How can I get white color from plasticine?

In the manufacture of plasticine in production, plastic components are used with the addition of color pigments. So get a mass for the modeling of different shades. The ingredients are heated in the boiler, then the zinc bleel is added. The added pigment stains the mixture. The components are thoroughly mixed, added white clay and pigment.

1Next, the hot mixture is adjusted to a homogeneous consistency, cooled, form plasticine bars. The process is repeated for all tones. To get a white mass for modeling, mandatory zinc or titanium bleel added.

To obtain a mixture at home, you can mix white wax (paraffin is suitable from the candle), not colored chalk and glycerin. After mixing the ingredients, it turns on a white mass for modeling.

To create snow-white plasticine at home, you can take advantage of another recipe for cooking. It is necessary to mix one glass of salt, water, on a tablespoon of starch and vegetable oil, PVA glue and two glasses of flour. Components are mixed to obtain an elastic test.
To create snow-white plasticine at home, you can take advantage of another recipe for cooking. It is necessary to mix one glass of salt, water, on a tablespoon of starch and vegetable oil, PVA glue and two glasses of flour. Components are mixed to obtain an elastic test.

White color to get the mixture of paints will not work. All the same, it will be necessary to use zinc or titanium bleached from the manufacturer.

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It happens that you have erect or simply miss any paint, but there are others. Knowing the rules and subtleties of their mixing, you can almost always get the desired color. Let's find out how this happens and with what difficulties can be encountered.

Belil from different colors is nonsense

Let's start with the fact that they are debunking myth - if you mix the paints of all colors of the rainbow, the white color you cannot get. Pigments are present in the dyes, which absorb certain ranges of light waves, which allows you to see the colors and their shades.

3White color can not be able to mix paints

To reflect absolutely all the rays to mix the palette available to you (which, in theory, could result in the perception of a white surface) - it is impossible under any circumstances.

The fact is that paint-saturated pigments necessarily reflects at least two light waves of different colors, but one to a greater extent than the second. For example, the red can also reflect the orange range, but slightly. However, it is worth adding yellow, and the red will be absorbed by them, but the secondary color will reflect, and you will see an orange surface. Blue paint can reflect green and purple waves to a certain extent, which will not be visible due to the main light wave. But absorb it with another pigment, for example, red, and get a purple kel.

The right choice of paint - the main task

It often happens that you have both blue, and red, but when they are mixed, something walled, but not purple paint. This is due to the fact that the pigments in the compositions do not have a reflective ability in the desired range. Therefore, the kel must be selected, because it is difficult to say in advance which light waves reflect the pigment in one or another painting material. What options can you have? In fact, if we talk about paints, be it acrylic or oil, the main colors are not 3 (or 4 with white) and 6 (or, respectively, 7).

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